{"id":6440,"date":"2026-04-03T11:30:53","date_gmt":"2026-04-03T11:30:53","guid":{"rendered":"https:\/\/samuelperche.com\/?page_id=6440"},"modified":"2026-04-04T09:01:04","modified_gmt":"2026-04-04T09:01:04","slug":"les-etreintes","status":"publish","type":"page","link":"https:\/\/samuelperche.com\/en\/les-etreintes\/","title":{"rendered":"The Embraces"},"content":{"rendered":"
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The Embraces<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2025<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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The Embraces<\/strong> <\/em>est une sculpture originale en bois, compos\u00e9e de deux corps d\u2019hommes, certainement nus, l\u2019un enla\u00e7ant l\u2019autre dans ses bras. Le corps du porteur, tout en tension, enlace avec force le second, dont les membres inertes tombent et provoquent une position quasi extatique.<\/p>

La sculpture est tout autant po\u00e9tique que politique. C\u2019est une histoire qui se raconte. Une histoire qui se r\u00e9p\u00e8te, qui se rejoue, que l\u2019on revoit\u2026 comme un film de Pedro Almodovar, comme une chapelle que l\u2019on visite \u00e0 nouveau, une pri\u00e8re. Elle nous raconte autant la tendresse et l\u2019amour, la libert\u00e9 et la tol\u00e9rance, que l\u2019horreur et la col\u00e8re, l\u2019insupportable vie et sa violence. Elle ne se limite pas aux corps repr\u00e9sent\u00e9s car ces deux hommes ne sont que les repr\u00e9sentants d\u2019une communaut\u00e9, d\u2019une humanit\u00e9 qui lutte pour sa libert\u00e9. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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L\u2019amour qui se joue entre ces deux hommes, la tendresse pure des mains pos\u00e9es \u00e0 m\u00eame la peau de l\u2019aim\u00e9, la confiance de se laisser aller dans les bras de l\u2019amant, l\u2019\u00e9motion ressentie d\u2019avoir trouv\u00e9 sa place, sa moiti\u00e9, son \u00e2me fr\u00e8re, d\u2019\u00eatre tout simplement heureux, lorsqu\u2019en cette belle journ\u00e9e d\u2019\u00e9t\u00e9, dans le parc, les particules de l\u2019air s\u2019\u00e9chappent et tourbillonnent comme des lucioles autour d\u2019eux, quand le temps se pose, s\u2019arr\u00eate, et que les deux gar\u00e7ons se respirent et sentent battre leur c\u0153ur, n\u2019est qu\u2019une partie de l\u2019histoire. Comme dans toute bonne histoire, le drame doit advenir, et voil\u00e0 qu\u2019il expire, que son dernier souffle au ciel est lanc\u00e9 aux \u00e9toiles, que son sang s\u2019arr\u00eate et que la douleur criante vient interrompre le r\u00eave. Ce qui fut gagn\u00e9 de longues luttes, la possibilit\u00e9 d\u2019aimer la personne que l\u2019on souhaite et de vivre avec cette personne en toute libert\u00e9, sans discriminations de sexualit\u00e9, de couleur, de religion ; voil\u00e0 que tout explose et que hurlent chaque cellule de son corps. A trop avoir r\u00eav\u00e9 de pouvoir enfin vivre l\u2019amour, on risque de le perdre. La perte de l\u2019amour est un morceau de soi et de l\u2019humanit\u00e9 qui dispara\u00eet. Sans amour point de deuil. Sans amour point de vie.<\/p>

La sculpture est tout autant po\u00e9tique que politique. C\u2019est une histoire qui se raconte. Une histoire qui se r\u00e9p\u00e8te, qui se rejoue, que l\u2019on revoit\u2026 comme un film de Pedro Almodovar, comme une chapelle que l\u2019on visite \u00e0 nouveau, une pri\u00e8re. Elle nous raconte autant la tendresse et l\u2019amour, la libert\u00e9 et la tol\u00e9rance, que l\u2019horreur et la col\u00e8re, l\u2019insupportable vie et sa violence. Elle ne se limite pas aux corps repr\u00e9sent\u00e9s car ces deux hommes ne sont que les repr\u00e9sentants d\u2019une communaut\u00e9, d\u2019une humanit\u00e9 qui lutte pour sa libert\u00e9.<\/p>

Les \u00e9treintes fait \u00e9cho aux drames que les guerres actuelles et les pens\u00e9es r\u00e9trogrades multiplient, tout en rappelant les sculptures classiques de Pi\u00e9ta. Elle invite \u00e0 reposer l\u2019amour comme valeur primaire et primordiale dans toutes relations humaines, sociales et politiques<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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La sculpture The Embraces<\/strong> <\/em>a \u00e9t\u00e9 r\u00e9alis\u00e9e pour Jardin des Arts 2025,
dans le cadre d\u2019une r\u00e9sidence de cr\u00e9ation financ\u00e9e par la Ville de Ch\u00e2teaubourg.<\/p>

Elle est expos\u00e9e dans le Parc Bel Air \u00e0 Ch\u00e2teaubourg (Ille-et-Vilaine).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Photographies : L\u00e9o Panch\u00e8vre<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Photographies : L\u00e9o Panch\u00e8vre<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Les \u00c9treintes 2025 Les \u00c9treintes est une sculpture originale en bois, compos\u00e9e de deux corps d\u2019hommes, certainement nus, l\u2019un enla\u00e7ant l\u2019autre dans ses bras. Le corps du porteur, tout en tension, enlace avec force le second, dont les membres inertes tombent et provoquent une position quasi extatique. La sculpture est tout autant po\u00e9tique que politique. […]<\/p>\n","protected":false},"author":1,"featured_media":5975,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-6440","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nLes \u00c9treintes – Samuel Perche<\/title>\n<meta name=\"description\" content=\"Parcourez la biographie de Samuel Perche, artiste dipl\u00f4m\u00e9 de l'\u00c9cole sup\u00e9rieure d'art. 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